
Movie poster of Tyler Perry in a fatsuit as "Madea".
FATNESS, FAT SUITS AND BLACK ENTERTAINMENT
Let’s Talk Fat Suits!
Cut by: Davita Cuttita
To make a long story short, Davita doesn’t like being told what to do but loves suggestions and constructive criticism. She loves it so much so, that in the past she’s addressed the concerns of commenters by writing posts discussing issues they may be struggling with/have mentioned in passing. Since the last outcome was so good, it’s high-time for a repetition, no?
Today, as per request, I am going to talk about fat suits, the Black people who wear them and discuss some items in a Coloured context. I want to be fair to my fat readers of Colour now and call shenanigans on the at least one person who isn’t so nice about their existence (White readers, pay attention! You’re included too!).
I know that a lot of Fat People find the fat suit to be offensive. A comment I received said that some fat people liken it unto “Blackface”. I know that sometimes, race vs fat comparisons aren’t ill-intentioned and are sometimes used to help other POC understand fat circumstances so I don’t get offended and try to explain. This was just one of those comments.
In response, I have to say I disagree as I wish to be sensitive to my fat and Black readers as well as to other POC by, once again; refusing to compare race and fatness. Let me create a 100% made-up-by-me example to help illustrate the point: What would a fat Black person find worse? Someone throwing a brick through their window labelled “Fatty! Lose some weight, tank ass!” or “Big-lipped Nigger! Go back to Africa!”
DON’T ANSWER THAT QUESTION.
Nor should you (have to). It is difficult and stressful. It’s a tight, uncomfortable spot in question or even in statement form. I believe you have enough shit to deal with already and by making you “weigh” which is more devastating is kinda…not very considerate and a little insensitive. And just to be fair, as a thin person of Colour, I wouldn’t ask you any “race vs fat” type questions either. You don’t have to worry about those things here, OK? Cool.
In regards to the fat suit, a lot of entertainers use it as a way to garner laughs like Weird Al Yankovic and Eddie Murphy amongst others.
OK now if you thought Tyler Perry’s name was going to be on that list, he isn’t and I’ll explain why further into this post.
Let’s start with Murphy’s portrayals:

In the 1996 film The Nutty Professor, Eddie Murphy stars as Sherman Klump, a brilliant scientist/University professor who (according to the film) weighs approximately 400 pounds. He has low self-confidence, is treated like shit by his employer, laughed at by his students and it’s pretty established by the movie’s plot that the whole reason he’s a loser is because he’s fat. (Ho-hum, the bullshit-o-metre just broke.) Anyway, spoilers ahead in blue:
Sherman falls madly in love with his new co-worker, petite and pretty Carla (Jada Pinkett Smith) who is the only person other than his family to treat him like an actual person. Unbeknownst to many, Sherman has made a break-through creating a “miracle formula” for instant weight-loss that he tests on himself. It works instantly, creating a svelte Sherman in a matter of seconds and he creates a different persona with more confidence and sex-appeal. Eventually, this new persona “splits” apart from Sherman’s conscious and becomes an entity of its own that is ego-maniacal, rude and pig-headed alienates Carla from Sherman. In the end, Sherman does battle with himself and decides to stay his fat self and strut, the characters all grow a little, fat people in the audience are either satisfied slightly or have died a little on the inside from watching an over exaggeration of almost every fat stereotype known to man played out for laughs and nothing more.
For my non-fat homies out there who may not notice the insults, lemme point some out for ya:
• His ass is too big to fit into chairs
• His weight makes him clumsy and sloppy (knocks things over with his belly, etc)
• He eats tons of fatty food to drown out his sorrows (no, not all fat people do this and for the people who do of every size; chances are they may be suffering from a compulsive eating disorder and if not—what’s wrong with eating food as a pick me up?)
• He has NO SELF CONFIDENCE WHATSOEVER
This isn’t the first time Murphy has done this either. When I saw the movie poster and trailers for Norbit all I could think was “Dear Jesus, no!”. I’m not even gonna fully explain the plot. It’s just about a skinny, Black guy, married to a loud, Black fat chick. He is actually in love with a super-skinny Black chick and trying to work up the confidence to get away from the fat one to her.
In a nutshell:
Fat Black lady=loud, ugly, aggressive & Skinny Black Lady= pretty, sweet, bubbly.
I’ll just put up this picture of his character Rasputia, and if you click it you’ll be re-directed to the wiki article:

Eddie Murphy in a fatsuit as "Rasputia" in the film "Norbit"
Watching this movie with my Mom at home (my family found it hilarious while I just complained the ENTIRE time about EVERYTHING) and watching that character run around screaming and yelling I was like “Fuck, that’s not even a fucking human being. He’s playing a monster.” I wonder how many people walked outta the theatre without even giving that sentence a second thought….
It was just too much. I couldn’t sit through it, I don’t even remember what I did I just went someplace (the basement?) and came back near the end…
A fucking monster, ya’ll.
If you replaced Rasputia with Godzilla, it would’ve been the same damn movie; I swear.
This character just ran around screaming, yelling, being annoying and breaking things with her weight the entire time (like Godzilla). I wanted to kill her. Not because she was fat but because she just didn’t shut the fuck up with the screaming, over-the-top ign’ant hoodrat attitude (which DOES exist, but how comes it’s always the fat sistas?) and the “Don’t blame God if you’re skinny and I’m big and beautiful!” line.
Like…do people run that shit anymore? It’s so passé.
I like Eddie Murphy. He can do better. But he doesn’t.
What does this say about fat people? Also, what does this say about fat Black women? Or even with Klump, fat Black men?
It says they ain’t shit.
I’m not even fat and my heart sank writing that line, but as usual, I gotta call shit out when I see it and this is what it’s saying clear as day. OK, well Sherman’s circumstance had a bit of “be happy with who you are!” lip-service (although that doesn’t excuse the whole thing) but the latter was just a shitstorm of fatphobia. I can’t even talk about it anymore, next paragraph!!
As you can see, these characters portrayed by Murphy in a fat suit have little if nothing positive to say. It’s just “Oh, they’re fat, loud, annoying losers! Let’s laugh!”
Dehumanizing, stereotyping, garbage.
Mr. Perry, however does not do this.
Looking at the character of Madea (a name derived from the Southern term “Madear”, a short-form for “Mother Dear”) we see something completely different. The fatness is not overwhelmingly excessive so people point all like “WHAT’S THAT!?!?” and laugh or treat it like a side-show abnormality, it is reflective of her years and womanhood: she is 73 years old and has had (and adopted) children. In Perry’s films, we’re not given gratuitous close-up, “headless fatty”-esque camera shots of Madea trying to squeeze her ass into a chair, “waddling” around, or breaking shit with her weight. Her weight is never used as something for people to laugh at and watching films such as Madea’s Family Reunion we see other Black females in her age group with similar if not slightly larger (or smaller) figures. Never during these films is her fatness or the fatness of others used to garner jokes and Madea embodies none of the stereotypes so prevalent in Murphy’s portrayals.
She is not some unconfident loser or screaming fool, Madea acts as a manifestation of the others characters’ consciences and a guiding voice of reason. We laugh because Madea encourages women not to take (further) physical abuse from their husbands by “heating up a pan of grits and throwing it on him”. We laugh because if someone tries to harm her family, she pulls a gun out of her purse and starts yelling so much gangsta lines that 50 would piss himself. We laugh because when the law fails her loved one in a divorce in which she should’ve rightfully received half, Madea goes over there with a chain saw and begins sawing the furniture into equal parts.
Another very interesting component is that Madea (in my opinion) is a destroying a very hurtful stereotype to Blacks: the stereotype of “the Mammy”.

Still enjoy Aunt Jemima products?
On the website of the Jim Crowe museum, in a brief essay Dr. David Pilgram of Ferris State University describes that stereotype as such:
“…the mammy caricature, and, like all caricatures, it contained a little truth surrounded by a larger lie. The caricature portrayed an obese, coarse, maternal figure. She had great love for her white “family,” but often treated her own family with disdain. Although she had children, sometimes many, she was completely desexualized. She “belonged” to the white family, though it was rarely stated… The mammy caricature was deliberately constructed to suggest ugliness. Mammy was portrayed as dark-skinned, often pitch black, in a society that regarded black skin as ugly, tainted. She was obese, sometimes morbidly overweight. Moreover, she was often portrayed as old, or at least middle-aged. The attempt was to desexualize mammy. The implicit assumption was this: No reasonable white man would choose a fat, elderly black woman instead of the idealized white woman. The mammy caricature implied that black women were only fit to be domestic workers….”
Perry took the Mammy and replaced her with something else: a human being (Madea is actually based off of his mother and aunt). Mammy is no longer a complacent, self-hating, desexualized (Madea talks sex quite a bit!) human being. She is armed not only with physical protection of her family (the gun) from harm but she is also armed with wisdom, patience and a moral compass. She wants her family, especially her daughters; to become educated, be confidence and believe in themselves, stand-up for themselves and not take abuse from anybody. Her loyalty lies with all and any who need her. She is a human being with goals, good-intentions, wants and feelings.
Through the character of Madea, there is no more Mammy. The stereotype is laid to waste through Perry’s ingenenious deconstruction of giving Mammy her humanity and rights. He destroyed Mammy and left a Black woman in her place.
A fat, Black woman who is confident, wise, funny and doesn’t take shit from nobody. Her fatness is not for jokes—she’s fat because, hey; aging and childbirth does that to some women.
Some may argue that Perry should’ve gotten an actual fat Black actress to play the role but I think a man taking the Mammy caricature and breaking it down before your eyes with a wry old-lady voice in Grandma clothing kind of serves to help you realize how ridiculous the concept of the Mammy was to begin with.
Plus I think Perry just really loves his Mom and Aunt and didn’t think anyone else could capture their essence as respectfully as he did (Margaret Cho also uses this comedic device when she plays her own Mom sometimes during comic acts).
I think with certain circumstances, you can intelligently and responsibly handle certain issues with respect to the people of that group and expose a greater truth.
You don’t compare struggles; you just make the lies more visible then take the truth and run with it.
We see the stereotype of the Black “nigger” brute super-imposed onto White neo-Nazi Deryl Vinyard (Edward Norton) in the brilliant film American History X, deconstructed, criticized and used to expose the horrors of neo-Nazism and racist dogma (I might upload my essay covering this at a Iater date).
I saw Robert Downey Jr. as a White-turned-Black man conversing in a gruff voice about “his people’s struggles”, with an actual Black man who constantly gets offended and “calls him out” on his “argument borrowing” (there it is again people!) in Tropic Thunder and I still can’t stop laughing.
I’ll probably write about it when I do, but that’s gonna take a while!